A short post today, largely inspired by Ambrose’s response to my last post. If you recall, I spent most of my last post insisting that we should only loosely assign the category of authorship to these biblical texts. Although some – say, the letter to the Romans – were almost certainly written by the person (and only that person) who claims authorship, most almost certainly were not. And even texts like Romans survived for decades after Paul’s death before any standard text was finalized. So it’s not like Paul had any kind of final editorial review and proofread of what is now published in his name. And Ambrose wondered, quite reasonably, in his comment whether the messiness and unreliability of these texts can call our belief in them into some question. In other words, if we read a newspaper article, but we could show that the author wasn’t who she claimed she was, and that in fact that the article had passed from editor to editor and writer to writer before finally being put to paper, we would have little reason to trust anything written there as reliable. So why should we trust these biblical texts, the composition of which in most cases have followed an analogous path?
The key to this is in understanding inspiration – or, rather, in coming to a new understanding of inspiration. Typically, I think when we think of inspiration, we think of a writer sitting with a pad of paper (or these days, with a computer I guess) and then – presto! chango! – an idea or a phrase or a words or lots of words bubble to the surface of the writer’s brain and all of it spills out onto the page. Anybody’s who’s written much knows that writing almost never looks like this, but anyway: this is what we think of. A spirit enters the author, and a message comes out. When we think of poets writing, it’s the spirit of poetry maybe that takes over a writer’s mind and heart. And when we think of the biblical authors, it’s the spirit of God. Indeed, that word ‘inspiration’ means something like this: in-spirit-ing. The spirit comes in.
Obviously, the model of authorship I’ve described in previous posts defies this. Even if somebody like Paul did have an experience like this when writing his letters, the letters we have today have been edited and redacted and combined and altered in ways we can’t be sure of. So how can we call them inspired? In other words, how is the ‘spirit-in’ them?
I think we need to think of in-spiriting not as an occurrence enjoyed by a single author, but as a process engaged in by communities of people. The bible isn’t full of the spirit because one author twenty-five hundred years ago was filled with magic and then spilled his pen all over some ancient page as a result of his spiritual fulness. The bible, rather, is full of the spirit because those first pages were pored over by the people of God – all the people of God – over years and years, for centuries even. It doesn’t make a text less inspired because it’s the work of more than one person. Indeed, we might say that the work is more inspired, because this message has been passed and filtered and adapted and blessed by all kinds of and generations of God’s people. The spirit of God is alive in the church, remember. We gathered people, collected around these texts, reading and sharing and interpreting and struggling with them, we together (every so often) glean some kernel of truth or some inspired nugget of wisdom. This is not because Paul or Isaiah was full of the spirit several hundred years ago – or not only because of they were. It’s because we’re full of the spirit today, it’s because the spirit is with us, and has always been with us, was with the people who listened to Isaiah and Paul, with the folks who edited and altered and added to Isaiah and Paul. And that spirit continues to be with us in our interpretations of Isaiah and Paul, et al., today. If to be inspired means to be filled with the spirit, then it happens as often in the full messiness of all God’s gathered people as anywhere else, since that’s where the spirit chooses to dwell.
Happy reading,
Matt